Bridge of peace grafitti spin & zoom small file

Spin and Zoom

An introduction to Spin and Zoom by David Sheilds, from one of our recent group outings at the Bridge of Peace in Drogheda.

I first discovered this technique on You Tube from an American photographer called Bryan Peterson. This was my first time trying this technique and boy, did I get lucky.

The subject was the graffiti located underneath the bridge of peace on the South bank. I shot in aperture priority mode, and as this technique requires a ‘relatively’ long exposure time I dropped my ISO and aperture to my camera lens lowest settings.

Using my kit lens, ie the 18-55mm, I focused on the 3A in the picture at 18mm. Switching to manual focus, as I pressed the shutter release button I zoomed the lens to 55mm while at the same time rotating the camera/my hand from a three o’clock position to a twelve o’clock position.

David Sheilds

Bridge of peace grafitti spin & zoomBridge of peace grafitti spin & zoom

Bridge of peace grafitti spin & zoom

Camera Settings
 
Nikon                  D5200
Lens                    18-55mm kit lens
ISO                      100
Aperature          f22
Shutter Speed   1/3 second

Technique by Bryan Peterson displayed here:

 

 

 

 

stately home visit by Paul Murray

Stately home visit

A short article from our Co-ordinator Paul Murray on one of his days out describing the image below.

The sky was blotted with scattered puffy white clouds. Intense sunlight drenched the scene. After mounting the camera on a tripod, I followed my line of discipline which is based on the checklist of camera settings and values listed below:

— Manual Mode

— ISO

— Shutter Speed

— Lens Aperture Value

— Camera Lens Focus / Automatic

The resulting photograph was unacceptable.

Shadows were clearly defined but the highlights were without image details. I waited for the sun to become obscured by cloud cover.

As I watched the blanket of light change from undiluted intense sunlight to diffused light I knew the brightness range was shorter. The camera was now capable of rendering the full brightness range.

Its not a photograph I would expect to excite the viewer or take first place in a Photo Competition but I like it – and for me, that makes it
special.

Specifications

Pentax
Wide Angle Lens / Low Zoom Number
Lens Aperture Value: f22
Shutter Speed: 1/2 of a second
ISO 100
Camera Lens Focus / Automatic Mode
File Format: jpeg
Tripod / yes

 Paul Murray

 

 

 

Throw crop

A Stone’s Throw

Our last entry is the winning picture in the DPS advanced level competition

In April and May, The Drogheda Photographic society had a series of in house competitions that cover beginner and higher level entries.
The purpose is to help members learn and develop their photography within a group environment.

The last entry is from Daz, which as you can see below, is a unique and outstanding perspective of the Giant’s Causeway .

He also gave us a little insight into how it came about…..

After braving a windy walk down the trail to the causeway, the heavens opened, leaving the throngs of sightseers huddled together in any available shelter points. A 30 minute wait and the rain stopped, allowing these small dots on the landscape to seep gradually back out onto the basalt.
The sky began to clear leaving behind wisps of now empty clouds. Taking a somewhat unconventional viewpoint looking back towards land from the waters edge, the pattern of the stones and the perspective created by them as they point towards the cliff, weight the composition in the bottom third. The stones lead the eyes toward the cliff and from there to the cliff top, which seems to stretch and reach further into the sky. The peak is centrally composed, while supported by the mass of stone column foundations beneath.
With poor weather, wet, cold and overcast, a short reprieve thankfully offered a brief chance to capture the natural beauty of this landscape on this visit.

Daz

DazThe photograph was taken in Raw, at 17mm, 1/40s, f18, ISO 200. Post processing was carried out using Lightroom.

 

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Drogheda Maritime Festival

There’s plenty on offer this weekend from the arrival of the tall ships (they’re smaller than you’d expect) to jet ski and wake boarding displays. These world class athletes will perform tricks, inverts and jumps..

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Inver Colpa rowing club are hosting a race from Clogherhead to Drogheda Town with the triathlon club hosting a two kilometre swim in the Boyne for a few very brave souls.

For those feeling flush or wanting to look around the latest model of car, this years Drogheda Motor Show is being held in conjunction with the Maritime festival. Other on shore activities include an artisan food quarter, boat building workshops, maritime photography and art zone, funfair and plenty more.

This would be a great opportunity to get some unique shots of Drogheda (or keep the kids quiet) with something for everyone with the tall ships, action shots of the events on the water, static motor show, street photography to long exposure shots at night time which could have distinctive shots of the funfair at night.

The weather is fair this weekend with highs of up to 18 degrees and only a wee bit of rain. 1mm on each day.

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Attached is the maritime festival website, schedule and some photos that I managed to capture at last years festival (not my best work). Others in the club may have some better photos and photos from around the town (I know Damian has a great photo of a ferris wheel from last year).

http://www.maritimefestival.ie/boyne-boat-race

http://www.maritimefestival.ie/programme#page

Knight Takes King

Knight Takes King

In April and May, The Drogheda Photographic society had a series of in house competitions that cover beginner and higher level entries.
The purpose is to help members learn and develop their photography within a group environment.
Last week we had a look at Erichs photograph.

This week we get to have a look at “Knight Takes King” by David Sheilds, who achieved 2nd place in the beginners competition.
David also gave us a quick walk-through on how he set up the image above.

While composing this photograph, I was at all times trying to execute some of the classic rules of photography i.e. rule of thirds & leading lines.
Once I was happy with my composition, I used trial and error by taking a number of shots at different shutter speeds & aperture values until I got the shot that I was happy with.

To prepare the subject, I set up the chess board & composition of the pieces on my kitchen table and using a Nikon D5200 & 60mm Tamron macro lens I focused on the scene until I was
happy with the composition.

After switching to manual focus & using the mode setting I switched the lights out. Then using a technique called light painting, I used a pentorch to light up the subject.
David Sheilds

Davids photograph was taken with the following camera settings:

ISO                                    100
SHUTTER SPEED    30 SECONDS
APERTURE                  f22
SHOT IN                       RAW

 

 

 

 

Drogheda Photographic Society Beginners Competition winner

Beginners competition 2014 – 1st place winning photograph from Erich

In April and May, The Drogheda Photographic society had a series of in house competitions that cover beginner and higher level entries.
The main purpose is to allow our members the chance to learn and improve along with their peers, and to get a general feel for
what can be accomplished with their camera.

Over the month of May and June, we will be adding some of the images with a small description from a selection of the participants with their permission.
Erich Sumperhofer entered the beginners level competition in April and we asked him to give a little introduction to his winning photograph.

This picture above was taken almost 10 years ago during a sailing trip through the Baltic sea off Northern Germany.
It was taken with a Nikon F60 – film camera using aperture priority mode, unfortunately I cannot provide any exposure information as I do not remember the settings, but it is most likely using an aperture of F16 or smaller to ensure that everything would be in focus.

I did take care that the sun would be hidden behind the sail, to limit the brightness in the picture and to ensure that the details of the ship would be correctly exposed.
I also took a meter reading from the sunlit wooden deck and used what is called the exposure lock function of this camera
(the camera switches to centre weighted metering when the exposure lock function is used).
Once this was done, I focused on the area around the mast of the ship and then took the picture.

When selecting pictures for entry into the competition, I chose this one because I felt that this image portrays the feeling of being confined on a small ship in the vast ocean and sailing into the wide open sea.

Erich Sumperhofer

Boyne10k-DPS-Ref-0028.5

Something to do for this Arts festival weekend

Along with the Drogheda Arts festival kicking off this coming weekend, we also have the Boyne 10K race taking place also!

Because of this, we thought it might be a nice way of getting people out and about with their cameras, especially our members!

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The race kicks off at 15.00hrs (with a few society members running in it).
Events like these can be a great opportunity for budding photographers to practice some sports photography but also to capture some street photography along with the large crowds and events that encompass the race and arts festival.

Boyne10k-DPS-Ref-0028.6

The weather on the day is set for highs of 12 degrees, with low winds and no rain, so you should have the perfect opportunity to get some snaps.

Some locations for consideration:

  • West Street – Start/Finish, Warm up area on the steps of St Peters Church, Samba Band, Largest Crowd
  • Oldbridge/Water Station – half way mark, A real scenic location near the Obelisk Bridge
  • Riverbank Estate – At the top of what is now known as heartbreak hill, approx 1000m constant uphill gradient, you can expect lots of drained joggers at ths point!
  • Ramparts -  The last kilometre, another scenic location with a backdrop of Drogheda
  • Dominic Street/West Street – Last hill in the race and approx 300 metres from the finish line, lots of street festivities at this point

I’ve attached a few shots to this article to show some of the pics that I’ve managed to capture at recent events to give you some ideas along with the route map to help you select suitable locations

Boyne 10K Route Map

Happy snapping
Graham

Perspective

An introduction to perspective

When it comes to planning the composition of your image, there are numerous styles and approaches that will suit your needs and personal taste, and  a lot can be learned when looking at how filmmakers are plying their trade.
One particular example that has been promoted recently is the use of symmetry by Wes Anderson in his latest release “Grand Budapest Hotel”.
If you have seen the recent trailer, you might notice that it plays on his preference to centre the subject in many of his scenes.

This can be viewed as either a play on an approach to perspective under the guise of the “Rule of Thirds” or the “Golden Ratio”, and with this take on perspective in mind, a new video provided by a filmmaker by the name of Kogondo has appeared on the web highlighting one of Andersons signature approach to many of his films.
http://vimeo.com/89302848

Kogonda has also produced a similar review of Kubricks approach to “one point perspective” which Kubrick used to great effect in many of his films.

And finally, to give a very effective breakdown of the use of many forms of perspective used for staging a scene, an excellent collection from Ali Shirazi using “There will be blood” as the subject by Paul Thomas Anderson

DPS-HLC - Marina Branigan - 2nd prize winner 2013 Higher level

A trip down memory lane for Marina Branigan – Still life Competition winner 2013

When the society announced the photography competitions last year, I decided to take part in the still life competition. I had never tried still life before and was excited at the prospect of learning something new. Little did I know how much I would come to enjoy the whole process. I set up a makeshift studio in my kitchen dining area and it stayed that way for about two months. I did the photography work at the weekends, but I left the setting in place during the week. I found that each time I walked by it, I would think of different ways of placing things. The lighting that I used came from household items e.g. reading lamp, torch, fairy lights, etc.

The photographs that I eventually submitted were completely different to what I started out with. It was only after a number of weeks of photographing scenes that I wasn’t entirely happy with, that it evolved into a cheese and wine setting. For the first photograph, the decor of a local restaurant provided the inspiration for the fairy lights. I used cheese and wine that I had at home. During the project, the cheese passed its use by date, so I had to suffer with the unpleasant smell until I finished!

For the second photograph, I disposed of the smelly cheese and got a variety of cheeses from my local supermarket. I shone a torch directly down onto the cheese board and a reading lamp onto the wine bottle and glass. The reading lamp just so happened to project a shadow of the wine bottle and glass onto the wall and I thought it looked interesting, so I decided to use it in the photograph. It took quite a few attempts before I could get the angle of the light to project the shadows the way I envisaged.

Two months, almost 20 different scenes and over 300 shots later, I was absolutely thrilled that the photographs I submitted won first and second place in the competition. I felt very humbled when the announcements were made, particularly when the standard of the photographs entered by the other society members was so high.

I really enjoyed working on the still life project and became totally absorbed in it, often working at it for hours at a time. It gave me the chance to apply the technical skills I had learned during my time with the society while learning something new. Still life allows me to be creative with a scene and experiment with different settings on the camera. If something isn’t working, I can easily change it and try something new. This isn’t always possible with other types of photography, where factors such as weather and natural lighting can be more critical.

Marina Branigan

Marina Branigan - 1st prize - 2013 Higher level category - Drogheda Photographic Society

Marina Branigan – 1st prize – 2013 Higher level category – Drogheda Photographic Society