So, between our monthly outings and club competitions, there has been a lot on this year!
Have a look at our Newsletter prepared by Deirdre Hyland and Paul Murray, covering the first half of 2015
A most enjoyable night was had by all at the Drogheda Photographic Society competition held on 7th May 2015.
The night was well attended and one could feel the excitement and tension as examiner, Photographer John Doyle, studied each photograph under the following headings: Exposure, Shutter Speed, Lens Aperture, Camera Lens Focus.
John Doyle is accredited with many awards and accolades in landscape, portrait, press & news, science & nature photography, to mention but a few. We are most grateful for his generous time and expertise given to the Society.
Points allocated for each criterion were totalled and awarded to the winner on the night. It was widely acknowledged by all that John had provided well-structured and helpful feedback in respect of photographs submitted.
Congratulations to David Shields on his award of first prize.
Our night photography group got together a few weeks ago to catch a sunrise, using the old MV Trader wreck on Baltray strand as our backdrop.
The wreck is a popular landmark for photography enthusiasts, and there appears to be less of it every time we visit as the years take their toll.
Outings like this allow us to practice some sunrise shots as well as using the incoming tide to attempt reflections.
The MV Irish trader was a Hartlepool motor vessel built in 1949 grossing 344 ton’s. According to Wrecksite.eu, she was carrying 410 tonnes of fertiliser on her last voyage which was bound for Bristol in England.
However she ran aground in 1974 on Baltray strand and became the local landmark that we have all come to know.
Over the years, she has gradually been reduced to a small portion of the bow and an even smaller stern.
Part one of a two part series from one of our members – Wayne Floyd
I have been a native of Drogheda for the past 42 years. I love the town, the people and what it has to offer. It was once said to me that Drogheda is the centre of the universe, and it totally is for me. Even with its familiar grey old buildings, they have stood the test of time and that only brings character to them. In the last ten to twelve years the town has undergone a massive change. Some would say for the better but for me it’s not the same. I wish they had made West street pedestrian only and allowed more space for street furniture. I also wish we had a town square. It is a great town but like all growing towns, cracks begin to show, just my opinion. Here are a few photographs I have taken of the town. Taken with the camera on my phone. I love the square format again all my images have the same border and format. Please feel free to comment good or bad. Its always good to get feed back.
Thank you all, Wayne J Floyd.
Back in June and July, we got a chance to visit the old Irish Cement quarries in Drogheda.
The quarry is a huge unused landmass that is (unfortunately in our view) closed to the public, it was last in use as the Drogheda Corporation landfill site, which prior to that was a large limestone quarry used by Irish Cement since the 1930s.
However due to the lack of human interference, It has become an excellent pocket of urban wildlife, as well as a great location for abandoned urban scenes with some small areas of disused buildings and long since vandalised equipment.
We managed two separate visits, once on a weekend afternoon and the second was a night shoot in July.
For the day outing, the quarry’s plant life was ablaze with colour, and the beautiful sunshine added to the enjoyment of the day, and for the night outing we got to shoot some sunset scenes as well as some steel wool amid some abandoned vehicles and equipment, needless to say we left everything exactly as we found it, .
Just click on any of the images to get a larger view.
An introduction to Spin and Zoom by David Sheilds, from one of our recent group outings at the Bridge of Peace in Drogheda.
I first discovered this technique on You Tube from an American photographer called Bryan Peterson. This was my first time trying this technique and boy, did I get lucky.
The subject was the graffiti located underneath the bridge of peace on the South bank. I shot in aperture priority mode, and as this technique requires a ‘relatively’ long exposure time I dropped my ISO and aperture to my camera lens lowest settings.
Using my kit lens, ie the 18-55mm, I focused on the 3A in the picture at 18mm. Switching to manual focus, as I pressed the shutter release button I zoomed the lens to 55mm while at the same time rotating the camera/my hand from a three o’clock position to a twelve o’clock position.
Lens 18-55mm kit lens
Shutter Speed 1/3 second
Technique by Bryan Peterson displayed here:
Have a look at our Newsletter prepared by Deirdre Hyland and Paul Murray, covering the first half of 2014.
A short article from our Co-ordinator Paul Murray on one of his days out describing the image below.
The sky was blotted with scattered puffy white clouds. Intense sunlight drenched the scene. After mounting the camera on a tripod, I followed my line of discipline which is based on the checklist of camera settings and values listed below:
— Manual Mode
— Shutter Speed
— Lens Aperture Value
— Camera Lens Focus / Automatic
The resulting photograph was unacceptable.
Shadows were clearly defined but the highlights were without image details. I waited for the sun to become obscured by cloud cover.
As I watched the blanket of light change from undiluted intense sunlight to diffused light I knew the brightness range was shorter. The camera was now capable of rendering the full brightness range.
Its not a photograph I would expect to excite the viewer or take first place in a Photo Competition but I like it – and for me, that makes it
Wide Angle Lens / Low Zoom Number
Lens Aperture Value: f22
Shutter Speed: 1/2 of a second
Camera Lens Focus / Automatic Mode
File Format: jpeg
Tripod / yes
Our last entry is the winning picture in the DPS advanced level competition
In April and May, The Drogheda Photographic society had a series of in house competitions that cover beginner and higher level entries.
The purpose is to help members learn and develop their photography within a group environment.
The last entry is from Daz, which as you can see below, is a unique and outstanding perspective of the Giant’s Causeway .
He also gave us a little insight into how it came about…..
After braving a windy walk down the trail to the causeway, the heavens opened, leaving the throngs of sightseers huddled together in any available shelter points. A 30 minute wait and the rain stopped, allowing these small dots on the landscape to seep gradually back out onto the basalt.
The sky began to clear leaving behind wisps of now empty clouds. Taking a somewhat unconventional viewpoint looking back towards land from the waters edge, the pattern of the stones and the perspective created by them as they point towards the cliff, weight the composition in the bottom third. The stones lead the eyes toward the cliff and from there to the cliff top, which seems to stretch and reach further into the sky. The peak is centrally composed, while supported by the mass of stone column foundations beneath.
With poor weather, wet, cold and overcast, a short reprieve thankfully offered a brief chance to capture the natural beauty of this landscape on this visit.