Tag Archives: Still Life

Knight Takes King

Knight Takes King

In April and May, The Drogheda Photographic society had a series of in house competitions that cover beginner and higher level entries.
The purpose is to help members learn and develop their photography within a group environment.
Last week we had a look at Erichs photograph.

This week we get to have a look at “Knight Takes King” by David Sheilds, who achieved 2nd place in the beginners competition.
David also gave us a quick walk-through on how he set up the image above.

While composing this photograph, I was at all times trying to execute some of the classic rules of photography i.e. rule of thirds & leading lines.
Once I was happy with my composition, I used trial and error by taking a number of shots at different shutter speeds & aperture values until I got the shot that I was happy with.

To prepare the subject, I set up the chess board & composition of the pieces on my kitchen table and using a Nikon D5200 & 60mm Tamron macro lens I focused on the scene until I was
happy with the composition.

After switching to manual focus & using the mode setting I switched the lights out. Then using a technique called light painting, I used a pentorch to light up the subject.
David Sheilds

Davids photograph was taken with the following camera settings:

ISO                                    100
APERTURE                  f22
SHOT IN                       RAW





DPS-HLC - Marina Branigan - 2nd prize winner 2013 Higher level

A trip down memory lane for Marina Branigan – Still life Competition winner 2013

When the society announced the photography competitions last year, I decided to take part in the still life competition. I had never tried still life before and was excited at the prospect of learning something new. Little did I know how much I would come to enjoy the whole process. I set up a makeshift studio in my kitchen dining area and it stayed that way for about two months. I did the photography work at the weekends, but I left the setting in place during the week. I found that each time I walked by it, I would think of different ways of placing things. The lighting that I used came from household items e.g. reading lamp, torch, fairy lights, etc.

The photographs that I eventually submitted were completely different to what I started out with. It was only after a number of weeks of photographing scenes that I wasn’t entirely happy with, that it evolved into a cheese and wine setting. For the first photograph, the decor of a local restaurant provided the inspiration for the fairy lights. I used cheese and wine that I had at home. During the project, the cheese passed its use by date, so I had to suffer with the unpleasant smell until I finished!

For the second photograph, I disposed of the smelly cheese and got a variety of cheeses from my local supermarket. I shone a torch directly down onto the cheese board and a reading lamp onto the wine bottle and glass. The reading lamp just so happened to project a shadow of the wine bottle and glass onto the wall and I thought it looked interesting, so I decided to use it in the photograph. It took quite a few attempts before I could get the angle of the light to project the shadows the way I envisaged.

Two months, almost 20 different scenes and over 300 shots later, I was absolutely thrilled that the photographs I submitted won first and second place in the competition. I felt very humbled when the announcements were made, particularly when the standard of the photographs entered by the other society members was so high.

I really enjoyed working on the still life project and became totally absorbed in it, often working at it for hours at a time. It gave me the chance to apply the technical skills I had learned during my time with the society while learning something new. Still life allows me to be creative with a scene and experiment with different settings on the camera. If something isn’t working, I can easily change it and try something new. This isn’t always possible with other types of photography, where factors such as weather and natural lighting can be more critical.

Marina Branigan

Marina Branigan - 1st prize - 2013 Higher level category - Drogheda Photographic Society

Marina Branigan – 1st prize – 2013 Higher level category – Drogheda Photographic Society